Muses Trio set to enchant with lush soundscapes
By Sonia Isaacs
WHAT started as a one-off show experience over 12 years ago has evolved into a creative tour-de-force. The Muses Trio, featuring three of Australia’s most exciting contemporary classical musicians—violinist Christa Powell, cellist Louise King, and pianist Therese Milanovic—will share a specially curated afternoon performance on March 9, to kick off the 2025 Maleny Arts Council season.
The program celebrates the incredible contributions of women in the creative world, with a particular focus on Australian women composers. It offers audiences an exceptional opportunity to experience a diverse, contemplative, and enriching showcase of performance and composition.
The concert will feature specially commissioned works by composers such as Ella Macens, Nat Bartsch, and Louise Denson.
Hinterland-based cellist Louise King spoke to GC&M News about the importance of the concert’s focus on Australian living composers.
“One of the key things about these concerts is that it’s an all-Australian program, proudly showcasing Australian composers,” she said.
“We explore a variety of styles—from jazz to ambient crossover—all deeply melodic, and the music speaks from incredibly personal stories.
“I think there’s a really strong narrative through-line in our program.”
Ms King also highlighted the accessibility of the music.
“People often hesitate with unfamiliar music, but we introduce the pieces in a way that makes them accessible,” she explained.
“I think it’s perfect for those brave, adventurous souls who want to hear something truly unique and different. Plus, it really stretches the instruments.
“There’s an exciting variety in the way we use them to tell these imaginative stories beautifully created by these composers.”
The program takes audiences on a unique melodic journey through a wide range of styles—from jazz and ambient to lush, cinematic soundscapes.
Muses Trio will perform an intimate afternoon of chamber music in the Maleny Community Centre, 2pm Sunday March 9.
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